
Rhinestone, cubic zirconia, plated brass: what bridal jewellery is made of
What the Algerian trade means by fontizi and blakiour, how a glass rhinestone differs from lab-grown cubic zirconia, and why plated pieces carry no hallmark.
What the trade already knows and nobody writes down: matching jewellery to the chedda or the karakou, what the machta carries, how long to allow before the date. One article per question that matters, not a feed.

What the Algerian trade means by fontizi and blakiour, how a glass rhinestone differs from lab-grown cubic zirconia, and why plated pieces carry no hallmark.

One object, three names that share no letters: the trade word, the Arabic spelling and the shop name for every piece of the Algerian bride’s parure.

The hall may already have the covers. The sash, the backdrop and the light are yours to buy — and the sash is the one piece of fabric whose tone you choose.

Favours go round during the tasdira, hand to hand or from a siniya. Bags come by the hundred and boxes by ten — how to turn a guest count into an order that fits.

Four words for what looks like one object, five stations across one night, and the cloth that goes down before the tray. Which goes where, and when.

Five outfits, one car, two salons: where the weight of a karakou actually goes, what a garment bag has to measure, and why the parure never travels with the hairpins.

A working list for the machta, not the bride: what comes back from every wedding, what leaves with the guests, and the pack sizes that make one night add up.

Perfume and hairspray go on before the jewellery, never after. The full running order of a tasdira night, from the chignon to the earrings.

Many names, two objects. One family of jewels spans the width of the brow; the tikka sits on the parting. Position decides which you need, not region.

Five to seven outfits according to the Algerian press, one or two for many brides since Covid, and a jewel for each: what goes on at every change — forehead, waist, ankles, hair.